Sarah Cain
Self-portrait, 2010
acrylic and gouache on sheet music
23 3/8 x 18 3/8 in.

Installation shot. From left to right:

Mariah Robertson
59, 2011
unique chemical treatment on RA-4 paper
86 x 53 in.

Kevin Beasley
Untitled, 2014
polyurethane foam, t-shirts, resin
[15 x 11.5 x 6 in.] x 2

Installation shot. From left to right:

Annette Kelm
Anonymous, Lilac Clock Bag Buffalo Exchange, 2007
c-prints on Alu-dibond
[19 x 23 in.] x 4

Stephen Waddell
Pile, 2006
inkjet print
48 x 56 in.

Kris Martin
Entscheidungszwanghorror, 2014
bronze
11 7/16 x 5 15/16 x 7 7/8 in.

Installation shot. From left to right:

Marlo Pascual
Untitled, 2009
digital c-print, potted plant
38 x 53 x 36 in.

Owen Kydd
Heavy Water, 2015
video on square digital display with media player
16 1/4 x 16 1/4 x 7 in.

Walead Beshty
Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C), 2012
colour photographic paper
50 x 107 in. and 30 x 40 in.

Installation shot. From left to right:

Kim Kennedy Austin
Audel’s Answers on Blue Print Reading, 2006
embroidery floss and masking tape on cross-stitched fabric
20 x 15 in

Tim Lee
Alexander Rodchenko, Spacial Construction No. 11, Square in Square, 1918, 2013
wood

Geoffrey Farmer
Sagger-Safers, Saddled, Stoned and Sanguine, 2013
paper cutouts, wood, glass paint bottle
15 x 9 x 6 in.

Installation shot. From left to right:

Walead Beshty
Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C) / Abstract (Four Magnet, Three Color Curl (CMY: Irvine, California, September 13th 2009, Fuji Crystal Archive Type C), 2012
colour photographic paper
50 x 107 in. and 30 x 40 in.

Myfanwy MacLeod
Exorcist series, 2009
cut film posters
[33 x 33 inches] x 3

Kim Kennedy Austin
Clear Eyes, Full Hearts, Can’t Lose, 2014
watercolour on paper
14 1/2 x 17 3/4 in.

Kris Martin
Entscheidungszwanghorror, 2014
bronze 11 7/16 x 5 15/16 x 7 7/8 in.

Installation shot. From left to right:

Lyman A. William
The Road through the Forest, 2008
mixed media

Rodney Graham
Pipecleaner Artist, 2013
painted aluminum lightbox, transmounted chromogenic transparency
[90 5/8 x 146 1/4 x 7 in.] x 2

Installation shot. From left to right:

Kim Kennedy Austin
Clear Eyes, Full Hearts, Can’t Lose, 2014
watercolour on paper
14 1/2 x 17 3/4 in.

Kris Martin
Entscheidungszwanghorror, 2014
bronze
11 7/16 x 5 15/16 x 7 7/8 in.

Simon Starling
Inventar –Nr. 8573 (Man Ray), 4M – 400 NM, 2006
80 6 x 7 cm. black and white transparencies, 2 Gotschmann slide projectors,
Kodak PDC dissolve control unit, CD and player, projector table

Myfanwy MacLeod
Exorcist series, 2009
cut film posters
[33 x 33 inches] x 3

Walead Beshty
Four Magnet, Three Color Curl (CMY: Irvine, California,
September 13th 2009, Fuji Crystal Archive Type C) / Abstract
(Four Magnet, Three Color Curl (CMY: Irvine, California,
September 13th 2009, Fuji Crystal Archive Type C), 2012
colour photographic paper
50 x 107 in. and 30 x 40 in.

Kevin Beasley
Untitled, 2014
polyurethane foam, t-shirts, resin
[15 x 11.5 x 6 in.] x 2

Kris Martin
Entscheidungszwanghorror, 2014
bronze
11 7/16 x 5 15/16 x 7 7/8 in.

Marlo Pascual
Untitled, 2009
digital c-print, potted plant
38 x 53 x 36 in.

Charlene Vickers and Chad MacQuarrie
Portals and Improvisations

In a series of in-the-moment-moments Charlene Vickers and Chad MacQuarrie will activate the gallery space using improvised sound, vocals, and performed action followed by a music set of guitar and electronics. Things to see and hear could include a Jeff Wall portal, a megaphone tutorial, invisible painting making and meditations between guitar and Kaosillator Pad. Vickers and MacQuarrie have been involved in making improvised sound together since 2014, this will mark their first exploration combining performance art and music.

This event will also mark the last day of the exhibition Surrogates.